Jin-me Yoon
Untunnelling Vision
Living Time (Photographs)
Living Time (Video)
Turn
Long View (Photographs)
Long View (Video)
Testing Ground
Other Hauntings (Song)
Other Hauntings (Dance)
This Time Being
Beneath
Rest
Ear to Ground, Watered Ground
As It Is Becoming (Beppu, Japan)
As It Is Becoming (Seoul, Korea)
The Dreaming Collective Knows No History
Fugitive (Unbidden)
(it is this/it is that)
Unbidden (channel)
Welcome Stranger Welcome Home
Touring Home From Away
between departure and arrival
Intersection
A Group of Sixty-Seven
Souvenirs of the Self
Untunnelling Vision 2020, photograph and video installation
Untunnelling Vision , 2020, (video still)
Untunnelling Vision , 2020, (video still)
Untunnelling Vision , 2020, (video still)
Living Time (Photographs) 2019, Series of 6 diptychs, 71.44 x 76.52 x 3.81 cm each
Living Time , 2019, (installation view), 6 diptych inkjet prints over-matted with custom Western hemlock frame, 71.44 x 76.52 x 3.81 cm each, Musée d’art de Joliette, photo credit: Paul Litherland
Living Time , 2019, (installation detail), 1 of 6 diptych inkjet prints over-matted with custom Western hemlock frame, 71.44 x 76.52 x 3.81 cm each, Musée d’art de Joliette, photo credit: Paul Litherland
Living Time , 2019, Diptych #1
Living Time , 2019, Diptych #2
Living Time (Video) 2019 Dual-channel video, 23:39 min
Jin-me Yoon, Living Time , 2019 (installation view), Musée d’art de Joliette, photo credit: Paul Litherland
Jin-me Yoon, Living Time , 2019 (video still)
Jin-me Yoon, Living Time , 2019 (video still)
Jin-me Yoon, Living Time , 2019 (video still)
Turn 2019, Single-channel video, 10:04 min
Living Time , 2019, (installation view), photo credit: Lucien Lisabelle
Living Time , 2019, (video still)
Living Time , 2019, (video still)
Living Time , 2019, (video still)
Living Time , 2019, (video still)
Long View (Photographs) 2017, Series of 6 photographs, 83.8 x 141 cm each
Long View , 2017, (installation view), 6 framed chromogenic prints, 83.8 x 141 cm each, Nanaimo Art Gallery, photo credit: Sean Fenzl
Long View #1, 2017
Long View #2, 2017
Long View #3, 2017
Long View #4, 2017
Long View #5, 2017
Long View #6, 2017
Long View , 2017, (postcard project), six perforated colour postcards, 10.1 X 15.2 cm each
Long View (Video) 2017, Single-channel video, 10:04 min
Long View , 2017, (video still)
Long View , 2017, (installation view), Nanaimo Art Gallery, photo credit: Sean Fenzl
Long View , 2017, (video still)
Long View , 2017, (video still)
Long View , 2017, (video still)
Long View , 2017, (video still)
Testing Ground 2019, single-channel video, 9:29 min
Testing Ground , 2019, (video still)
Testing Ground , 2019, (installation view), Musée d'art contemporain des Laurentides, photo credit: Lucien Lisabelle
Testing Ground , 2019, (video still)
Testing Ground , 2019, (video still)
Testing Ground , 2019, (video still)
Other Hauntings (Song) 2016, Single-channel video, 7:20 min
Other Hauntings (Song) , 2016 (installation view), Nanaimo Art Gallery, photo credit: Sean Fenzl
Other Hauntings (Song) , 2016, (video still)
Other Hauntings (Song) , 2016, (video still)
Other Hauntings (Song) , 2016, (video still)
Other Hauntings (Dance) 2016, Single-channel video, 8:14 min
Other Hauntings (Dance) , 2016, (installation view), Nanaimo Art Gallery, photo credit: Sean Fenzl
Other Hauntings (Dance) , 2016, (video still)
Other Hauntings (Dance) , 2016, (video still)
Other Hauntings (Dance) , 2016, (video still)
This Time Being 2013, Series of 9 chromogenic prints, 45.72 x 55.88 cm, framed: 63.18 x 74.14 cm
This Time Being #1, 2013
This Time Being #2, 2013
This Time Being #3, 2013
This Time Being #4, 2013
This Time Being #5, 2013
This Time Being #6, 2013
This Time Being #7, 2013
This Time Being #8, 2013
This Time Being #9, 2013
Beneath 2012, Multi-channel video installation
Beneath , 2012, (installation view), multi-channel video installation, wood, glass, mirrors, steel, and bricks, dimensions variable, video duration various: 42:36 min to 45:20, Vancouver Art Gallery
Beneath , 2012, (installation detail)
Beneath , 2012, (installation detail)
Beneath , 2012, (installation view)
Beneath , 2012, (installation detail)
Rest 2012, Chromogenic print, 148.6 x 121.92 cm
Rest , 2012
Ear to Ground, Watered Ground 2008, Dual-channel video
Ear to Ground , 2008, (video still)
Ear to Ground , 2008, (video still)
Ear to Ground , 2008, (video still)
Watered Ground , 2008 (video still)
As It Is Becoming (Beppu, Japan) 2008, Multi-channel video installation
As It Is Becoming (Beppu, Japan): Former U.S. Army Base , 2008, (installation view), single channel video, 14:23, Catriona Jeffries Gallery
As It Is Becoming (Beppu, Japan): Former U.S. Army Base , 2008, (video still)
As It Is Becoming (Beppu, Japan): Former U.S. Army Base , 2008, (video still)
As It Is Becoming (Seoul, Korea) 2008, Multi-channel video installation
As It Is Becoming (Seoul, Korea) , 2008/2019, (installation view: Musée d'art contemporain des Laurentides), multi-channel video installation, dimensions variable, durations various: 2:12 to 5:57, photo credit: Lucien Lisabelle,
As It Is Becoming (Seoul, Korea) , 2008, (video still)
As It Is Becoming (Seoul, Korea) (video still), 2008
As It Is Becoming (Seoul, Korea) (video still), 2008
The dreaming collective knows no history (US Embassy to Japanese Embassy, Seoul) 2006, Single-channel video
The dreaming collective knows no history (US Embassy to Japanese Embassy, Seoul) , 2006, (video still)
The dreaming collective knows no history (US Embassy to Japanese Embassy, Seoul) , 2006, (video still)
The dreaming collective knows no history (US Embassy to Japanese Embassy, Seoul) , 2006, (video still)
The dreaming collective knows no history (US Embassy to Japanese Embassy, Seoul) , 2006, (video still)
The dreaming collective knows no history (US Embassy to Japanese Embassy, Seoul) , 2006, (video still)
Fugitive (Unbidden) , 2004, (installation view, National Gallery of Canada)
Fugitive (Unbidden) #3, 2004, chromogenic print, 99.5 X 99.5 cm
Fugitive (Unbidden) #5, 2004, 1 of 3 in a series chromogenic print, 76.2 X 76.2 cm
(it is this/it is that) 2004, Photograph Diptych, 74 x 126 cm each
(it is this/it is that) , 2004/2018, (installation view), 2 chromogenic prints with overlam and acrylic surface mount, 74 x 126 cm each, photo credit: Rachel Topham
(it is this/it is that) , 2004/2018, (detail view), 2 chromogenic prints with overlam and acrylic surface mount, 74 x 126 cm each, photo credit: Rachel Topham
Unbidden (Channel) 2003, Single-channel video, 5:12
Unbidden (Channel) , 2003, (installation view), photo credit: Lucien Lisabelle
Unbidden (Channel) , 2003, (video still)
Unbidden (Channel) , 2003, (video still)
Welcome Stranger Welcome Home 2002, Single-channel video, 8:46 min
Welcome Stranger Welcome Home , 2002, (installation view)
Welcome Stranger Welcome Home , 2002, (video still)
Welcome Stranger Welcome Home , 2002, (video still)
Welcome Stranger Welcome Home , 2002, (video still)
Touring Home From Away 1998, 9 diptychs, 81 x 66 x 13 cm each
Touring Home From Away , 1998, (installation view, Musée d’art de Joliette), nine black anodized, double-sided lightboxes, 18 Ilfochrome translucent prints with polyester overlam, 81 x 66 x 13 cm each, photo credit: Paul Litherland
Touring Home From Away , 1998, (detail), photo credit: Paul Litherland
Touring Home From Away , 1998, (verso detail), photo credit: Paul Litherland
Touring Home From Away , 1998, 1 of 9 diptychs (front)
Touring Home From Away , 1998, 1 of 9 diptychs (reverse)
between departure and arrival 1997, Multi-channel video installation
between departure and arrival , 1997/2019, (installation view, Musée d’art de Joliette), photo credit: Paul Litherland
between departure and arrival , 1997/2019, (installation detail, Musée d’art de Joliette), photos credit: Paul Litherland
Intersection 1997-, Ongoing photo and video series
Intersection 1 , 1996, (installation view), transmounted C-prints, 98 x 141 cm each
Intersection 1 , 1996, (detail left panel)
Intersection 1 , 1996, (detail right panel)
Intersection 2 , 1998, diptych, 144 x 109 cm each
Intersection 3 , 2001, (detail left panel), two C-prints, 161 x 207 cm each
Intersection 3 , 2001, (detail right panel)
Intersection 4 , 2001, (installation view), three single channel video projections, dimensions variable
Intersection 4 , 2001, (detail)
Intersection 4 , 2001, (detail)
Intersection 5 , 2001, (detail left panel), two C-prints, 161 x 207 cm each
Intersection 5 , 2001, (detail right panel)
A Group of Sixty-Seven 1996, two grids of 67 framed chromogenic prints, for a total of 135 C-prints, 47.5 x 60.5 cm each
A Group of Sixty-Seven , 1996/2018 (installation view, Museum of Vancouver), photo credit: Rachel Topham
A Group of Sixty-Seven , 1996/2018 (detail right grid, Museum of Vancouver), photo credit: Rachel Topham
A Group of Sixty-Seven , 1996/2018 (detail left grid, Museum of Vancouver), photo credit: Rachel Topham
A Group of Sixty-Seven , 1996 (detail)
A Group of Sixty-Seven , 1996 (detail)
Souvenirs of the Self 1991, Series of 6 photographs
Souvenirs of the Self (postcard project), 1991, six perforated colour postcards, each 15.2 X 10.1 cm
Souvenirs of the Self , (Lake Louise), 1991/2019 (installation view, Musée d’art de Joliette), inkjet print on laminated polyester, 185.4 x 121.9 cm each, photo credit: Paul Litherland
Souvenirs of the Self , 1991/2019 (installation view, Musée d’art de Joliette), inkjet print on laminated polyester, 185.4 x 121.9 cm each, photo credit: Paul Litherland
Copyright © 2020 Jin-me Yoon
